The Gallery has an open stock room with an extensive selection of works by the artists whom the Gallery exhibits and supports. It is regularly updated and the works may be viewed online or in person by appointment. 

 

Artworks available for purchase:

Free delivery in the Canberra region.


ANNIE FRANKLIN | PAINTINGS

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DAN MAGINNITY [BYRD]

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JANENNE EATON

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GUAN WEI

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KATE STEVENS

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MARIE HAGERTY

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CAMERON HAAS

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KERRY MCINNIS

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DAAM BOORO | REFLECTIONS ON COUNTRY

MABEL JULI, GORDON BARNEY, TOMMY CARROLL

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THREE GENERATIONS OF GIJA ARTISTS: BETTY CARRINGTON I SADE CARRINGTON I CHARLENE CARRINGTON

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More information about Gija Artists from Western Australia

MICHAEL TAYLOR

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ANDREW SIBLEY

(b.1933-UK - d. 2015 Melbourne)

Works on paper

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GREG DALY | NEW CERAMICS

Lustre glazed ceramic works by Greg Daly

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Paintings by artists from Alice Springs:

About the artists:

Mary Dixon Nungarrayi was born in 1958 near Town Bore Creek, east of Papunya, and grew up in the area around Haast Bluff, which she regards as her country. She later moved to Mt Liebig to be closer to Walpiri country where her native language, Wilpiri, is spoken. She started painting in the mid 1980s for Papunya Tula Artists.

Mary uses bright primary colours in acrylic on canvas to produce lyrical paintings of witchetty grub and bush plum dreamings. She also paints the Milky Way and the Seven Sisters of the Tjukurrpa Dreaming (the constellation Pleiades), a Dreaming that is closely associated with secret men's ceremonies.

Katherine Napaltjarri Parker is a Pintubi woman who was born in 1978 at Kintore near the Northern Territory border with Western Australia and South Australia. She has been painting since she was a child and she became part of the Papunya Tula artist collective when she was 17-years-old.

All of her Dreamtime stories come from the Alhalkere Country and were passed down to her from her father's side. The cultural importance of these stories and her use of traditional techniques has made Katherine’s work rich with meaning and has contributed to the continued understanding by the desert peoples of their connection to country and the dreamtime.

Her paintings have developed over the past few years and while they still display her deep understanding of the traditional dreamtime stories, bush medicine and her country they are told in a more deeply personal style.

Her work typifies the character of indigenous painting, in which the designs often have many interrelated symbolic meanings. The narrative elements - the painting’s story or Dreaming - is only one level of meaning. The imagery employed by indigenous artists has deep cultural resonances. The non-indigenous viewer can, however, intuitively feel the power of this spiritual resonance without necessarily having to understand the full meaning known only to the initiated members of the community.

 

GULUMBU YUNUPINGU, Ganyu (detail), 2011 etching from Collector's Folio, Series 5 - East and West. Basil Hall Editions